Shevchenko's Diary As a Space for Disclosing The Author's "I"

Abstract

This article examines Taras Shevchenko's diary as a literary space for selfexpression. The relevance of this topic stems primarily from the fact that the author's personal reflections resonate with every individual through their depiction of the search for one's own "self" and the strength to fight for one's convictions. An overview of the diary's content structure is provided based on B. Rubchak's classification. Particular attention is paid to Shevchenko's means of self-expression, among which the author's reflection, religious worldview, and contemplation of freedom stand out most vividly. Through an examination of these, the purpose of his writing is identified, which lies in finding a way to assert himself in this world. In the artist's writings, Christian values are closely intertwined with his conception of freedom. Inner freedom is revealed as one of the writer's primary forms of self-expression, shaped under conditions of physical enslavement. In this context, Shevchenko's rejection of the experience of exile is outlined, which consists of a conscious distancing from its demoralizing influence. It is emphasized that turning to the written word, despite censorship restrictions, is a means of restoring inner freedom. Art is also examined as Shevchenko's key activity, where the poet's aspirations are most clearly manifested. The period following exile is analyzed as a time of intense return to artistic practice and reevaluation of the author's professional path. At the same time, the diary captures a distinct artistic polyphony through microgenres. It was found that the text is deeply immersed in the artist's world of thoughts and feelings. In this context, the diary is interpreted as the author's internal dialogue with himself, in which emotions, reflections, and experiences are intertwined, bringing the text closer to spoken language.