СREATIVE HISTORY DYPTYCH BY LINA KOSTENKO «KOBZARYU…»

Abstract

The article deals with the peculiarities of creative history work of art by Lina Kostenko «Kobzaryu…» in projection on the system art-world outlook co-ordinates of the second half  XX century. Individuality, unique vision world of artist mark on the  author’s reception of Shevchenko’s text, original model dialogism, formed on basis the new type reflection, figurative system, composition structure and ideological direct of the work. The work uses a systematic approach involving textological, philological, source study, hermeneutic, receptive, psychological methods.

The article indicated that of the poetic discurs of Lina Kostenko reflection on the literary heritage of Taras Shevchenko occupies the main place. She completely divide his aesthetic views and the credo of life, revelation of peculiarities of the artist’s creative process through prism own poetic text. Imitative-expression phenomenon the artistic creative work of artist she interdependence  of  standard the skill creative, the standard his national conscious, the depth filled with life of the peoples, national orientation of civil position by author and his characters.

The polyphonic art of the writer impresses with unique energy andmind discipline, where every word is worth its weight in gold. Its magic relies on a deep intellectual sense arising from powerful spiritual potential. The unifying principle of building an image of personality and an image of reality is an aesthetic element. The narrative on creative practices reveals a personal history of one of the most prominent figures of modern times – writer Lina Kostenko.

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