2024: Issue 1 (27) Part 2

Shevchenko Studies

No. 1 (27). Part 2 (2024)

ISSN 2410-4094 (Print)

УДК 821.161.2’09:81’255.4(082) Shevchenko T.

The collection of scientific papers is devoted to the issues of Shevchenko studies, adoption of creativity, language and translation.

For scientists and admirers of Taras Sevchenko’s works.

Print date: 2024-12-26

DOI: https://doi.org/10.17721/2410-4094.2024.1(27).2

Published: 2024-12-26

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Articles

THE POETRY OF TARAS SHEVCHENKO IN THE LITERARY-CRITICAL AND TRANSLATOLOGICAL STUDIES OF RAUL CHILACAVA:THE FORMATION OF A TRANSNATIONAL LITERARY FIELD

Ivane MTCHEDELADZE (Author)

5-23
- PDF (Ukrainian)
SHEVCHENKO’S "HAYDAMAKS" AND STANISLAV ZINCHUK'S POEM "CALL"

Mykhailo NAIENKO (Author)

24-36
- PDF (Ukrainian)
ENIGMATIC PROBLEMS OF TARAS SHEVCHENKO`S WATERCOLOR “TSARSKY GARDEN” (THE CREATION AND BEING HISTORY)

Nadiia NAUMOVA (Author)

37-52
- PDF (Ukrainian)
SPIRITUAL AND MORAL MOTIVES OF TARAS SHEVCHENKO’S CREATIVITY

Oleh OHIRKO (Author)

53-70
- PDF (Ukrainian)
SOME TOUCHES TO T. SHEVCHENKA'S SKETCH "VYSHHOROD"

Nadiia ORLOVA (Author)

71-88
- PDF (Ukrainian)
THE IMAGE OF HEAVENLY BODIES IN THE WORKS OF TARAS SHEVCHENKO

Antonina PLECHKO (Author)

89-105
- PDF (Ukrainian)
THE THEME OF “LYKERA’S REPENTANCE” IN MEMORY OF SHEVCHENKO IN MEMOIRS, STUDIOS, CREATIVE INTERPRETATIONS

Volodymyr POLISHCHUK (Author)

106-128
- PDF (Ukrainian)
FEATURES OF THE POETIC CREATIVITY OF OLEKSANDR NAVROTSKYI

Iryna PRYLIPKO (Author)

129-146
- PDF (Ukrainian)
SHEVCHENKO'S APHORISMS AS REPRESENTATIVES OF NEW MEDIA MEANINGS

Dmytro SYZONOV (Author)

147-161
- PDF (Ukrainian)
IDEAS OF UKRAINIAN STATEHOOD IN THE HISTORICAL WORKS OF TARAS SHEVCHENKO

Oksana SLIPUSHKO, Olha SHCHELKUNOVA (Author)

162-182
- PDF (Ukrainian)
TARAS SHEVCHENKO'S STORY "THE TWINS": A MODEL OF ARTISTIC THINKING

Rui Fan (Author)

183-197
- PDF (Ukrainian)
TARAS SHEVCHENKO'S “THE PLUNDERED GRAVE” ("ROZRYTA MOHYLA"): MODERN INTERPRETATION IN THE CONTEXT OF THE RUSSIAN-UKRAINIAN WAR

Olha FLIASHKO (Author)

198-208
- PDF (Ukrainian)
FRENCH-SPEAKING TRANSLATIONS OF SHEVCHENKO’S POETRY: PROBLEMS AND PERSPECTIVES

Dmytro CHYSTIAK (Author)

209-220
- PDF (Ukrainian)
TARAS SHEVCHENKO FROM THE POINT OF VIEW OF GEORGIAN WRITERS: SOVIET CULTURAL CONTEXT

Sophio CHKHATARASHVILI (Author)

221-229
- PDF (Ukrainian)
MYKOLA BILOZERSKYI AND HIS "TARAS HRYGORYEVYCH SHEVCHENKO ACCORDING TO THE MEMORIES OF DIFFERENT PERSONS (1831–1861)": WHERE MEMORIES END AND FOLKLORE BEGINS

Oksana SHALAK (Author)

230-248
- PDF (Ukrainian)
ANTI-COLONIAL TEXTUAL STRATEGIES IN THE POETRY OF TARAS SHEVCHENKO: ON THE ISSUE OF POSTCOLONIAL RECEPTION OF THE ARTIST'S WORK

Olga SHAF (Author)

249-272
- PDF (Ukrainian)
"MY SHEVCHENKO ENCYCLOPEDIA" BY L. USHKALOV AS A FORMAT OF AN ESSAY COLLECTION

Tetiana SHEVCHENKO (Author)

273-289
- PDF (Ukrainian)
A JOKE ABOUT TARAS SHEVCHENKO AS AN ARTIST IN THE NOTES OF IVAN PAN’KEVYCH (FROM THE PHONOGRAM ARCHIVES OF THE AUSTRIAN ACADEMY OF SCIENCES AND THE PRAGUE LITERARY ARCHIVES)

Tetiana SHEVCHUK (Author)

290-300
- PDF (Ukrainian)
SHEVCHENKO'S WORK “BETWEEN THE ROCKS, LIKE A THIEF...” IN THE PERSPECTIVE OF CHRISTIAN COMMANDMENTS AND HONESTY

Vasyl YAREMENKO (Author)

301-331
- PDF (Ukrainian)

2024: Issue 1 (27) Part 2

Full Issue

Articles

THE POETRY OF TARAS SHEVCHENKO IN THE LITERARY-CRITICAL AND TRANSLATOLOGICAL STUDIES OF RAUL CHILACAVA:THE FORMATION OF A TRANSNATIONAL LITERARY FIELD

SHEVCHENKO’S "HAYDAMAKS" AND STANISLAV ZINCHUK'S POEM "CALL"

ENIGMATIC PROBLEMS OF TARAS SHEVCHENKO`S WATERCOLOR “TSARSKY GARDEN” (THE CREATION AND BEING HISTORY)

SPIRITUAL AND MORAL MOTIVES OF TARAS SHEVCHENKO’S CREATIVITY

SOME TOUCHES TO T. SHEVCHENKA'S SKETCH "VYSHHOROD"

THE IMAGE OF HEAVENLY BODIES IN THE WORKS OF TARAS SHEVCHENKO

THE THEME OF “LYKERA’S REPENTANCE” IN MEMORY OF SHEVCHENKO IN MEMOIRS, STUDIOS, CREATIVE INTERPRETATIONS

FEATURES OF THE POETIC CREATIVITY OF OLEKSANDR NAVROTSKYI

SHEVCHENKO'S APHORISMS AS REPRESENTATIVES OF NEW MEDIA MEANINGS

IDEAS OF UKRAINIAN STATEHOOD IN THE HISTORICAL WORKS OF TARAS SHEVCHENKO

TARAS SHEVCHENKO'S STORY "THE TWINS": A MODEL OF ARTISTIC THINKING

TARAS SHEVCHENKO'S “THE PLUNDERED GRAVE” ("ROZRYTA MOHYLA"): MODERN INTERPRETATION IN THE CONTEXT OF THE RUSSIAN-UKRAINIAN WAR

FRENCH-SPEAKING TRANSLATIONS OF SHEVCHENKO’S POETRY: PROBLEMS AND PERSPECTIVES

TARAS SHEVCHENKO FROM THE POINT OF VIEW OF GEORGIAN WRITERS: SOVIET CULTURAL CONTEXT

MYKOLA BILOZERSKYI AND HIS "TARAS HRYGORYEVYCH SHEVCHENKO ACCORDING TO THE MEMORIES OF DIFFERENT PERSONS (1831–1861)": WHERE MEMORIES END AND FOLKLORE BEGINS

ANTI-COLONIAL TEXTUAL STRATEGIES IN THE POETRY OF TARAS SHEVCHENKO: ON THE ISSUE OF POSTCOLONIAL RECEPTION OF THE ARTIST'S WORK

"MY SHEVCHENKO ENCYCLOPEDIA" BY L. USHKALOV AS A FORMAT OF AN ESSAY COLLECTION

A JOKE ABOUT TARAS SHEVCHENKO AS AN ARTIST IN THE NOTES OF IVAN PAN’KEVYCH (FROM THE PHONOGRAM ARCHIVES OF THE AUSTRIAN ACADEMY OF SCIENCES AND THE PRAGUE LITERARY ARCHIVES)

SHEVCHENKO'S WORK “BETWEEN THE ROCKS, LIKE A THIEF...” IN THE PERSPECTIVE OF CHRISTIAN COMMANDMENTS AND HONESTY

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